We All Live In Babylon

Babylon was a powerful city in ancient Mesopotamia, located in what is now modern-day Iraq. When King Hammurabi conquered nearby city-states under his rule, he established the Babylonian Empire around 1792 BCE, an empire that would last 300 years. Babylon became a lucrative, powerful city and a military power. Three centuries later, Persian king Cyrus the Great conquered the city, bringing it under Persian rule and marking the fall of Babylon. 

In the Bible, Babylon reappears through the story of the Tower of Babel. According to the Old Testament, humans attempted to build a tower that would reach the heavens. In response, God destroyed the tower and dispersed people across the Earth, giving them different languages so they could no longer communicate with one another. Biblical Babylon became a metaphor used in contemporary entertainment for human pride and its consequences. 

Babylon In Entertainment 

In Damien Chazelle’s 2022 film “Babylon,” starring Brad Pitt and Margot Robbie, Hollywood becomes its own ancient empire. The movie tells the story of the debauchery and chaos of the Hollywood scene in the 1920s. The film follows the rise and fall of multiple characters who become consumed by the Hollywood lifestyle of excess and desire for fame. The title itself serves as a deliberate reference to the fallen city, suggesting that Babylon’s downfall symbolizes humanity’s recurring and innate impulse toward self-sabotage. 

Even in “The Matrix,” the story draws subtle ties to Babylon. The character Morpheus captains a hovercraft named the Nebuchadnezzar, which is a direct reference to King Nebuchadnezzar II of the Neo-Babylonian Empire, known for both his power and the Hanging Gardens. In the film, Zion, the last human city, is the antithesis of what is interpreted as the “modern Babylon,” as it is the only place of purity in a world corrupted by machines. These references form an allegory for how civilizations built on illusion and control will eventually be the ones to turn their beauty into dust. 

Baz Luhrmann’s “The Great Gatsby” offers another vision of a “modern Babylon,” this time set in New York City. Gatsby is the film’s modern Tower of Babel builder, striving to reach something divine — be it love or status — through human-made means. His glittering mansion is his tower, and Daisy Buchanan, his heaven. If he can just get close enough, he believes he can remake the world as he wants it to be. However, just as the biblical Babylon falls, Gatsby’s dream collapses. The same wealth and glamour that sustained him also destroyed him. 

Taylor Swift’s album “Evermore” features the song “Cowboy Like Me,” which includes a lyric: “Now you hang from my lips like the Gardens of Babylon, with your boots beneath my bed forever is the sweetest con.” Here, Babylon becomes a metaphor for love’s illusion, how something magnificent and seemingly eternal can be so deeply uncertain. Just as historians still debate whether the Hanging Gardens ever truly existed, Swift questions whether a love that felt real was ever more than a beautiful myth. 

We can contemplate where we have built a Babylon in our own lives. Asking ourselves the questions about what we built, whether that be our habits or the people we surround ourselves with, that at any moment is ready to fall. 

In the same way, we can look inward and ask where we’ve built our own Babylons. Whether it be the towers, habits, or relationships we construct that will inevitably fall. Babylon’s story, retold through art, reminds us that even the most dazzling and lush creations can crumble; however, we can still find beauty in the ruins they leave behind.

What’s your Babylon? Let us know by tagging us @VALLEYmag on X!

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